School of Theater

Duende CalArts

Duende CalArts, dedicated to developing and producing innovative work emerging from Latino(a) and Latin American communities and sources, is an initiative of the CalArts Center for New Performance (CNP).

Established in 2009 by Marissa Chibas, Duende CalArts brings prominent Latino(a) and Latin American artists from the performance community to develop adventurous projects at CNP. We aim to expand aesthetic boundaries and performance discourse, collaborating with national and international Latino(a) artists and advancing multilingual works.

Visit the Duende CalArts Website

Current Projects

For a complete list of our current and upcoming projects, please visit our new website at centerfornewperformance.org/duende.

History

Duende’s inaugural production was the world premiere of Nobel laureate Octavio Paz's epic poem, Piedra de Sol/Sunstone, directed and translated by Mexico City director, Maria Morett; it was performed in 2010 at CalArts and The Getty Villa. Our second major project, Timboctou, was a co-production with the University of Guadalajara; the team of actors and designers were drawn from both Mexico and from CalArts Center for New Performance. This world premiere production, written by Mexican writer Alejandro Ricano and directed by Mexican director Martin Acosta, was presented at REDCAT in 2012 and at Teatro Experimental in Guadalajara, Mexico in 2012. Both productions were performed in Spanish and English. In the fall of 2012 Duende hosted a workshop of Mexican playwright Ximena Escalante's bi-lingual Electra Despierta in collaboration with NYC director John Gould Rubin and his Private Theater Company.


L.A. Founding Families

In 2013 Duende presented L.A. Founding Families at CalArts and at the historic Pico House in downtown Los Angeles. Written by the ensemble, L.A. Founding Families focuses on the diverse communities who settled the city. Marissa Chibas, Theater School faculty and Head of Duende CalArts, developed the project; the Pico House incarnation included guest artists Roger Guenveur Smith and Tonantzin Carmelo and was directed by Nataki Garrett. Additional participants in this project included teachers and historians from CalArts, El Pueblo de Los Angeles Historical Monument, TransArts, UCLA Department of History in the Schools, and faculty and high school students from the School of History and Dramatic Art, a public high school in Glassell Park.

Last edited by cyang on Jan 25, 2017
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